While Richard Bernstein is most widely remembered today as the creator of Andy Warhol’s Interview Magazine's distinctive covers, he was one of Pop Art's pioneers and architects. Bernstein’s technicolor work captured the glamor, extravagance, and innovation of the Pop Art era, blurring the line between commercial and fine art.

Bernstein’s storied career began in the early 1960s after earning a B.F.A. from Pratt Institute and an M.F.A. from Columbia University. After a successful debut solo exhibition in 1965, he was invited to a prestigious group show at the Byron Gallery alongside Andy Warhol, Sol Lewitt, and Robert Rauschenberg. After his success in New York, he continued to show new artworks at the legendary Iris Clert Gallery in Paris, which led to exhibitions throughout Europe, Japan, and North America. In 1968, Richard moved back to New York City and took residence in the Chelsea Hotel's grand ballroom, which he converted into his art studio, where he lived until his passing in 2002.

With his dynamic personality, movie star looks, and exceptional talent, Richard was central to the New York social scene that revolved around the Warhol Factory and Studio 54. While working at Andy Warhol’s Interview Magazine from 1972 until 1989, he developed an unmistakable style instantly recognizable as the “Bernstein Look,” creating over 189 portraits during that time. His portraits helped to amplify the celebrity culture that characterized this dynamic period in New York’s history.

Richard Bernstein pioneered digitally created artwork in the 1980s, beginning with his portrait of David Bowie (1983), and continued throughout the rest of his career. After leaving Interview Magazine at the end of 1989, he continued this pioneering work and remained active as an art director in the fashion and music industries.

Today, Richard Bernstein’s impact on artists, art institutions, and the creative culture is stronger than ever.

© The Estate of Richard Bernstein